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The Speculative Economies of Sheppard Lee
Edward Sugden

September 2019, Vol. 74 No. 2, (pp. 141-166) DOI: 10.1525/ncl.2019.74.2.141
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Walden Pond as Thoreau’s Landscape of Genius
Scott Hess

September 2019, Vol. 74 No. 2, (pp. 224-250) DOI: 10.1525/ncl.2019.74.2.224
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“He Resembled the Great Emperor”Charlotte Brontë, Villette, and the Rise of Napoleon III
Matthew Heitzman

September 2019, Vol. 74 No. 2, (pp. 199-223) DOI: 10.1525/ncl.2019.74.2.199
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Dickens’s TableauxMelodrama and Sexual Opacity in David Copperfield and Bleak House
Victoria Wiet

September 2019, Vol. 74 No. 2, (pp. 167-198) DOI: 10.1525/ncl.2019.74.2.167
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“Always the same unrememberable revelation”: Thoreau’s Telegraph Harp, the Development of an Immanent Romantic Secularism, and Golden Age Children’s Literature
Courtney A. Floyd

June 2019, Vol. 74 No. 1, (pp. 30-53) DOI: 10.1525/ncl.2019.74.1.30
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A Genealogy of Narcissism: Percy Shelley’s Self-Love
Alexander Freer

June 2019, Vol. 74 No. 1, (pp. 1-29) DOI: 10.1525/ncl.2019.74.1.1
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Envious Reading: Margaret Oliphant on George Eliot
Elsie B. Michie

June 2019, Vol. 74 No. 1, (pp. 87-111) DOI: 10.1525/ncl.2019.74.1.87
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The Poet as Printer’s Fist: Walt Whitman’s Indicative Hand
Eric Conrad

June 2019, Vol. 74 No. 1, (pp. 54-86) DOI: 10.1525/ncl.2019.74.1.54
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Novel Technologies: The Holyrood Chapel Diorama in James Hogg’s Confessions of a Justified Sinner
Kirstyn Leuner

March 2019, Vol. 73 No. 4, (pp. 437-461) DOI: 10.1525/ncl.2019.73.4.437
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“Under the Existing Rules”: Anne Lister and the Halifax Literary and Philosophical Society
Cassandra Ulph

March 2019, Vol. 73 No. 4, (pp. 462-485) DOI: 10.1525/ncl.2019.73.4.462

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